{"schema":"record/v1","id":"art_01M5MVH88HTK0YHDPQ5AW22BS7","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What comic devices does E. G. Lutz (1920, Animated Cartoons, ch. X) say an animated cartoon should be built on, and which of his statements are claims rather than examples?","summary":"Lutz's stated aim is 'a laugh in every foot of film', and he files the cartoon with extravagant farce. The devices he actually names in chapter X are mostly motion devices: reeling or spinning (blow victim, pinwheel fight, windmill, merry-go-round), freedom from the body's physical limits, regular repetition (a stream of figures, a parade), planned pauses (chase behind a house, hill-climbing) and anticipation completed by consummation (stone and top hat). He gives mechanical/periodic motion as the reason such gags work and claims they 'never fail'; no audience evidence is offered. In the part of the text searched, he does not use the words exaggeration or metamorphosis.","status":"active","body":{"text":"Lutz's stated aim is 'a laugh in every foot of film', and he files the cartoon with extravagant farce. The devices he actually names in chapter X are mostly motion devices: reeling or spinning (blow victim, pinwheel fight, windmill, merry-go-round), freedom from the body's physical limits, regular repetition (a stream of figures, a parade), planned pauses (chase behind a house, hill-climbing) and anticipation completed by consummation (stone and top hat). He gives mechanical/periodic motion as the reason such gags work and claims they 'never fail'; no audience evidence is offered. In the part of the text searched, he does not use the words exaggeration or metamorphosis.\n\nCurator qualifications: Comic devices separated into Lutz's claims vs described examples.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"ch. X"}]},"categories":["T01","T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","claim":"Lutz's stated aim is 'a laugh in every foot of film', and he files the cartoon with extravagant farce. The devices he actually names in chapter X are mostly motion devices: reeling or spinning (blow victim, pinwheel fight, windmill, merry-go-round), freedom from the body's physical limits, regular repetition (a stream of figures, a parade), planned pauses (chase behind a house, hill-climbing) and anticipation completed by consummation (stone and top hat). He gives mechanical/periodic motion as the reason such gags work and claims they 'never fail'; no audience evidence is offered. In the part of the text searched, he does not use the words exaggeration or metamorphosis.","locator":"ch. 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The devices he actually names in chapter X are mostly motion devices: reeling or spinning (blow victim, pinwheel fight, windmill, merry-go-round), freedom from the body's physical limits, regular repetition (a stream of figures, a parade), planned pauses (chase behind a house, hill-climbing) and anticipation completed by consummation (stone and top hat). He gives mechanical/periodic motion as the reason such gags work and claims they 'never fail'; no audience evidence is offered. In the part of the text searched, he does not use the words exaggeration or metamorphosis.\n\nCurator qualifications: Comic devices separated into Lutz's claims vs described examples.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"ch. X"}]},"tags":[],"type":"article","links":[],"title":"What comic devices does E. G. Lutz (1920, Animated Cartoons, ch. X) say an animated cartoon should be built on, and which of his statements are claims rather than examples?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Lutz's stated aim is 'a laugh in every foot of film', and he files the cartoon with extravagant farce. The devices he actually names in chapter X are mostly motion devices: reeling or spinning (blow victim, pinwheel fight, windmill, merry-go-round), freedom from the body's physical limits, regular repetition (a stream of figures, a parade), planned pauses (chase behind a house, hill-climbing) and anticipation completed by consummation (stone and top hat). He gives mechanical/periodic motion as the reason such gags work and claims they 'never fail'; no audience evidence is offered. 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