{"schema":"record/v1","id":"art_01M5MVH30ZF21QH3R119JHM8PA","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How do publisher and library pages show the composition side and the recording side of a licence when they quote a price (shares, pro rata, most-favoured-nation, combined ownership)?","summary":"A New York classical-music publisher's quote form asks for a quote on 100% of the non-exclusive synchronisation use, says it collects only its own percentage share (pro rata), and says all fees are MFN with co-publishers and the master holder. A library vendor (FirstCom, 2014) advises choosing libraries that hold composition and master together; a library FAQ (Atomica) says a licence is permission to synchronise, not ownership. Taken together, the pages describe quotes as per-holder shares that may be tied to other holders' fees, versus single-source library licences. This is vendor process description in two jurisdictions' trade, not a legal rule; the definition of sync versus master is in C3-B102-G37-01.","status":"active","body":{"text":"A New York classical-music publisher's quote form asks for a quote on 100% of the non-exclusive synchronisation use, says it collects only its own percentage share (pro rata), and says all fees are MFN with co-publishers and the master holder. A library vendor (FirstCom, 2014) advises choosing libraries that hold composition and master together; a library FAQ (Atomica) says a licence is permission to synchronise, not ownership. Taken together, the pages describe quotes as per-holder shares that may be tied to other holders' fees, versus single-source library licences. This is vendor process description in two jurisdictions' trade, not a legal rule; the definition of sync versus master is in C3-B102-G37-01.\n\nCurator qualifications: 100% quote / pro-rata share / MFN shown on one publisher's web-video form; library combined ownership from vendor pages.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.wisemusicclassical.com/media/dqwjcar3/wise-music-request-form-synch-for-web-2024.pdf","note":"fees"},{"url":"https://documentary.org/feature/production-music-libraries-today-how-guide","note":"fees"},{"url":"https://atomicamusic.com/production-music-licensing-for-video-editors-the-complete-guide-faq","note":"fees"},{"url":"https://www.guildofmusicsupervisors.co.uk/about/","note":"fees"}]},"categories":["T04","T14"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.wisemusicclassical.com/media/dqwjcar3/wise-music-request-form-synch-for-web-2024.pdf","claim":"A New York classical-music publisher's quote form asks for a quote on 100% of the non-exclusive synchronisation use, says it collects only its own percentage share (pro rata), and says all fees are MFN with co-publishers and the master holder. A library vendor (FirstCom, 2014) advises choosing libraries that hold composition and master together; a library FAQ (Atomica) says a licence is permission to synchronise, not ownership. Taken together, the pages describe quotes as per-holder shares that may be tied to other holders' fees, versus single-source library licences. 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A library vendor (FirstCom, 2014) advises choosing libraries that hold composition and master together; a library FAQ (Atomica) says a licence is permission to synchronise, not ownership. Taken together, the pages describe quotes as per-holder shares that may be tied to other holders' fees, versus single-source library licences. This is vendor process description in two jurisdictions' trade, not a legal rule; the definition of sync versus master is in C3-B102-G37-01.\n\nCurator qualifications: 100% quote / pro-rata share / MFN shown on one publisher's web-video form; library combined ownership from vendor pages.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.wisemusicclassical.com/media/dqwjcar3/wise-music-request-form-synch-for-web-2024.pdf","note":"fees"},{"url":"https://documentary.org/feature/production-music-libraries-today-how-guide","note":"fees"},{"url":"https://atomicamusic.com/production-music-licensing-for-video-editors-the-complete-guide-faq","note":"fees"},{"url":"https://www.guildofmusicsupervisors.co.uk/about/","note":"fees"}]},"tags":[],"type":"article","links":[],"title":"How do publisher and library pages show the composition side and the recording side of a licence when they quote a price (shares, pro rata, most-favoured-nation, combined ownership)?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"A New York classical-music publisher's quote form asks for a quote on 100% of the non-exclusive synchronisation use, says it collects only its own percentage share (pro rata), and says all fees are MFN with co-publishers and the master holder. 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