{"schema":"record/v1","id":"art_01M5MVH1NVX945B8HJ4V5YBCJW","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What does the Guild of Music Supervisors say a music supervisor is responsible for, and where do clearance, budget and cue sheets sit in that job?","summary":"The UK & European Guild of Music Supervisors lists, in one sentence-long role description, creative idea development, collaboration with directors and editors, negotiating and securing all legal rights of the music before it is used, managing the music budget, working with composers, and finalising delivery paperwork including cue sheets, performer agreements and fully executed music licences. The US Guild home page states a mission to promote the craft across film, television, games, advertising, trailers and emerging media but its role page was not read. The role text does not itself separate recording and composition permissions; that split comes from other sources (see C3-B241-G73-02 and C3-B102-G37-01).","status":"active","body":{"text":"The UK & European Guild of Music Supervisors lists, in one sentence-long role description, creative idea development, collaboration with directors and editors, negotiating and securing all legal rights of the music before it is used, managing the music budget, working with composers, and finalising delivery paperwork including cue sheets, performer agreements and fully executed music licences. The US Guild home page states a mission to promote the craft across film, television, games, advertising, trailers and emerging media but its role page was not read. The role text does not itself separate recording and composition permissions; that split comes from other sources (see C3-B241-G73-02 and C3-B102-G37-01).\n\nCurator qualifications: UK & European Guild role list (rights before use, budget, cue sheets and executed licences at delivery); US Guild role page unread.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.guildofmusicsupervisors.co.uk/about/","note":"candidate evidence excerpts"},{"url":"https://www.guildofmusicsupervisors.com/","note":"candidate evidence excerpts"},{"url":"https://documentary.org/feature/production-music-libraries-today-how-guide","note":"candidate evidence excerpts"}]},"categories":["T04","T14"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.guildofmusicsupervisors.co.uk/about/","claim":"The UK & European Guild of Music Supervisors lists, in one sentence-long role description, creative idea development, collaboration with directors and editors, negotiating and securing all legal rights of the music before it is used, managing the music budget, working with composers, and finalising delivery paperwork including cue sheets, performer agreements and fully executed music licences. The US Guild home page states a mission to promote the craft across film, television, games, advertising, trailers and emerging media but its role page was not read. 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