{"schema":"record/v1","id":"art_01M5MVFK794R0CSPE7ZF014BH2","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What check can an agent run on a scene to decide whether it has dramatic action in Baker's 1919 sense, and how might it be adapted, as an untested proposal, to screen use?","summary":"Two labelled parts. [1919 stage practice] A seven-step scene check derived from Chapter II: name the emotion target; list the carriers (bodily action, mental state, stillness, exposition); for each bodily beat find its route (by itself, characterizes, helps story); for each mental or still beat check that characterization and cues make the state readable; check attachment; check exposition stretches for emotion; check that the effect can be carried by the medium within its time. [Proposal for screen use, untested] Replace Baker's actors and words with performance, image and sound; output a per-beat table with quoted text, not a score; have a human set the emotion target because no source supplies a way to verify audience emotion. The numbering and the table are mine; Baker supplies no checklist.","status":"active","body":{"text":"Two labelled parts. [1919 stage practice] A seven-step scene check derived from Chapter II: name the emotion target; list the carriers (bodily action, mental state, stillness, exposition); for each bodily beat find its route (by itself, characterizes, helps story); for each mental or still beat check that characterization and cues make the state readable; check attachment; check exposition stretches for emotion; check that the effect can be carried by the medium within its time. [Proposal for screen use, untested] Replace Baker's actors and words with performance, image and sound; output a per-beat table with quoted text, not a score; have a human set the emotion target because no source supplies a way to verify audience emotion. The numbering and the table are mine; Baker supplies no checklist.\n\nCurator qualifications: Seven-step check labelled 1919 stage practice; screen/LLM adaptation and L10 experiment untested.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","claim":"Two labelled parts. 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[1919 stage practice] A seven-step scene check derived from Chapter II: name the emotion target; list the carriers (bodily action, mental state, stillness, exposition); for each bodily beat find its route (by itself, characterizes, helps story); for each mental or still beat check that characterization and cues make the state readable; check attachment; check exposition stretches for emotion; check that the effect can be carried by the medium within its time. [Proposal for screen use, untested] Replace Baker's actors and words with performance, image and sound; output a per-beat table with quoted text, not a score; have a human set the emotion target because no source supplies a way to verify audience emotion. The numbering and the table are mine; Baker supplies no checklist.\n\nCurator qualifications: Seven-step check labelled 1919 stage practice; screen/LLM adaptation and L10 experiment untested.\n\nEvidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"What check can an agent run on a scene to decide whether it has dramatic action in Baker's 1919 sense, and how might it be adapted, as an untested proposal, to screen use?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Two labelled parts. 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