{"schema":"record/v1","id":"art_01M5MVEA4RKEDAR09WYV48T9V0","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What is the difference between a type and an individual character in Baker (1919), when is a type enough, and what does he add to Archer's character-drawing versus psychology?","summary":"Baker opens Chapter VII with a history: drama moves from abstractions through types to individualized characters, and he calls individualization the sign of developing art. His own claims: type characterization assumes one dominant trait can stand for a person, a premise he calls false; types last because they are easy to understand and imitate and suffice for farce and melodrama; individualization is harder for the audience and far harder to write. He quotes Archer's distinction between character drawing and psychology and applies it: most good drama draws character, only great work explores it. He allows a dramatist to select the traits his play needs (Cyrano), and says to judge by whether the author aims at a rounded figure or chosen aspects.","status":"active","body":{"text":"Baker opens Chapter VII with a history: drama moves from abstractions through types to individualized characters, and he calls individualization the sign of developing art. His own claims: type characterization assumes one dominant trait can stand for a person, a premise he calls false; types last because they are easy to understand and imitate and suffice for farce and melodrama; individualization is harder for the audience and far harder to write. He quotes Archer's distinction between character drawing and psychology and applies it: most good drama draws character, only great work explores it. He allows a dramatist to select the traits his play needs (Cyrano), and says to judge by whether the author aims at a rounded figure or chosen aspects.\n\nCurator qualifications: Type vs individual; Archer quotation kept as quoted_other_author.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","claim":"Baker opens Chapter VII with a history: drama moves from abstractions through types to individualized characters, and he calls individualization the sign of developing art. 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His own claims: type characterization assumes one dominant trait can stand for a person, a premise he calls false; types last because they are easy to understand and imitate and suffice for farce and melodrama; individualization is harder for the audience and far harder to write. He quotes Archer's distinction between character drawing and psychology and applies it: most good drama draws character, only great work explores it. He allows a dramatist to select the traits his play needs (Cyrano), and says to judge by whether the author aims at a rounded figure or chosen aspects.\n\nCurator qualifications: Type vs individual; Archer quotation kept as quoted_other_author.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/36580/pg36580.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"What is the difference between a type and an individual character in Baker (1919), when is a type enough, and what does he add to Archer's character-drawing versus psychology?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Baker opens Chapter VII with a history: drama moves from abstractions through types to individualized characters, and he calls individualization the sign of developing art. 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