{"schema":"record/v1","id":"art_01M5MVD488875AANSEP1R39P1P","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How does Lutz build a walk, and how does he use cycles and repeats of a few drawings (effects, galloping backgrounds)?","summary":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. The text and an illustration caption disagree on drawing counts and the figures were not inspected.","status":"active","body":{"text":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. The text and an illustration caption disagree on drawing counts and the figures were not inspected.\n\nCurator qualifications: Walk built from two extremes, passing position and in-betweens reused with limbs swapped; cycles of 3-5 drawings for effects and gallops. Prose vs unseen caption drawing-count conflict noted by lead.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"candidate evidence excerpts"}]},"categories":["T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","claim":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. The text and an illustration caption disagree on drawing counts and the figures were not inspected.","locator":"candidate evidence excerpts","classification":"sourced_fact"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-310244c7ff3d2c8d521538819688fe81ef650af4/record.json#p-310244c7ff3d2c8d521538819688fe81ef650af4/record","import_batch_id":"pipe-d5abe3373678e9a7243557c5d744eec7e8987258","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-d5abe3373678e9a7243557c5d744eec7e8987258","original":{"body":{"text":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. The text and an illustration caption disagree on drawing counts and the figures were not inspected.\n\nCurator qualifications: Walk built from two extremes, passing position and in-betweens reused with limbs swapped; cycles of 3-5 drawings for effects and gallops. Prose vs unseen caption drawing-count conflict noted by lead.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How does Lutz build a walk, and how does he use cycles and repeats of a few drawings (effects, galloping backgrounds)?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. The text and an illustration caption disagree on drawing counts and the figures were not inspected.","evidence":{"claims":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","claim":"Walk: draw the two outstretched extremes (A, B) one step apart, the middle passing position (C), then in-betweens (D, E); the second step reuses C, D, E as outlines with limbs swapped, so a walk is two alternating sets of drawings. Cycles: effects (smoke, water, stars) and animal gallops repeat 3-5 drawings in order; a misordered cycle can read as moving backwards; backgrounds move 1/16-1/8 inch per exposure to give speed and depth. 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