{"schema":"record/v1","id":"art_01M5MVD30H266ERBETZ65NP9ZA","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What does Lutz (1920) say a key or extreme drawing is, what an in-between is, and how many in-betweens a movement needs?","summary":"Lutz's method: draw a base (\"key\") sketch of the figures, draw the two extreme positions of the action on separate pegged sheets, then draw the intermediate position over them. He says one drawing between extremes can do for a swift comic action, and a slower action should have at least three; the head-turn illustration repeats that scale. He allows rough drawing of some in-betweens when the action is quick. His terms are \"key sketch\", \"extreme\" and \"intermediate/in-between\"; \"breakdown\" does not occur anywhere in the text.","status":"active","body":{"text":"Lutz's method: draw a base (\"key\") sketch of the figures, draw the two extreme positions of the action on separate pegged sheets, then draw the intermediate position over them. He says one drawing between extremes can do for a swift comic action, and a slower action should have at least three; the head-turn illustration repeats that scale. He allows rough drawing of some in-betweens when the action is quick. His terms are \"key sketch\", \"extreme\" and \"intermediate/in-between\"; \"breakdown\" does not occur anywhere in the text.\n\nCurator qualifications: Key, extremes, then in-betweens on pegged sheets; number of in-betweens set by speed of action.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"Lutz, chapter on in-betweens"}]},"categories":["T07"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","claim":"Lutz's method: draw a base (\"key\") sketch of the figures, draw the two extreme positions of the action on separate pegged sheets, then draw the intermediate position over them. 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He says one drawing between extremes can do for a swift comic action, and a slower action should have at least three; the head-turn illustration repeats that scale. He allows rough drawing of some in-betweens when the action is quick. His terms are \"key sketch\", \"extreme\" and \"intermediate/in-between\"; \"breakdown\" does not occur anywhere in the text.\n\nCurator qualifications: Key, extremes, then in-betweens on pegged sheets; number of in-betweens set by speed of action.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/73455/pg73455.txt","note":"Lutz, chapter on in-betweens"}]},"tags":[],"type":"article","links":[],"title":"What does Lutz (1920) say a key or extreme drawing is, what an in-between is, and how many in-betweens a movement needs?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Lutz's method: draw a base (\"key\") sketch of the figures, draw the two extreme positions of the action on separate pegged sheets, then draw the intermediate position over them. 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