{"schema":"record/v1","id":"art_01M5MVB8BYZ4F192M82R5S5ECZ","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What must a TV series pitch document (development or pitch bible and series one-pager) contain, how long should it be, and how does it show the series has an episode engine?","summary":"Screen Australia's guide distinguishes a long, detailed production bible from a succinct development (pitch) bible of about 10-15 pages with nine areas: logline; one-page synopsis (1 page); genre, concept and themes (1); setting and storyworld (1-2); format (1); characters (1-2 paragraphs each); episode summaries (1-2 paragraphs each); look and feel (2 with images); creator's statement (1). The series proof is sustainability: the storyworld must be the engine, the format must show a repeatable episode shape, character entries must hint at trajectory, and a serial one-pager shows character narratives and escalating stakes rather than plot. The funder lists a mini-bible of 5-15 pages maximum as an acceptable story document. The guide states there are no hard rules.","status":"active","body":{"text":"Screen Australia's guide distinguishes a long, detailed production bible from a succinct development (pitch) bible of about 10-15 pages with nine areas: logline; one-page synopsis (1 page); genre, concept and themes (1); setting and storyworld (1-2); format (1); characters (1-2 paragraphs each); episode summaries (1-2 paragraphs each); look and feel (2 with images); creator's statement (1). The series proof is sustainability: the storyworld must be the engine, the format must show a repeatable episode shape, character entries must hint at trajectory, and a serial one-pager shows character narratives and escalating stakes rather than plot. The funder lists a mini-bible of 5-15 pages maximum as an acceptable story document. The guide states there are no hard rules.\n\nCurator qualifications: Development (pitch) bible about 10-15 pages with nine areas (logline, one-page synopsis, genre/concept/themes, setting, format, characters, episode summaries, look and feel, creator statement) vs long production bible.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.screenaustralia.gov.au/wp-content/uploads/2025/08/Story-Documents-Drama.pdf","note":"candidate evidence excerpts"},{"url":"https://www.screenaustralia.gov.au/wp-content/uploads/2025/07/FAQ-Narrative-Content-Development.pdf","note":"candidate evidence excerpts"}]},"categories":["T01","T03","T04"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.screenaustralia.gov.au/wp-content/uploads/2025/08/Story-Documents-Drama.pdf","claim":"Screen Australia's guide distinguishes a long, detailed production bible from a succinct development (pitch) bible of about 10-15 pages with nine areas: logline; one-page synopsis (1 page); genre, concept and themes (1); setting and storyworld (1-2); format (1); characters (1-2 paragraphs each); episode summaries (1-2 paragraphs each); look and feel (2 with images); creator's statement (1). The series proof is sustainability: the storyworld must be the engine, the format must show a repeatable episode shape, character entries must hint at trajectory, and a serial one-pager shows character narratives and escalating stakes rather than plot. The funder lists a mini-bible of 5-15 pages maximum as an acceptable story document. 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The series proof is sustainability: the storyworld must be the engine, the format must show a repeatable episode shape, character entries must hint at trajectory, and a serial one-pager shows character narratives and escalating stakes rather than plot. The funder lists a mini-bible of 5-15 pages maximum as an acceptable story document. The guide states there are no hard rules.\n\nCurator qualifications: Development (pitch) bible about 10-15 pages with nine areas (logline, one-page synopsis, genre/concept/themes, setting, format, characters, episode summaries, look and feel, creator statement) vs long production bible.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.screenaustralia.gov.au/wp-content/uploads/2025/08/Story-Documents-Drama.pdf","note":"candidate evidence excerpts"},{"url":"https://www.screenaustralia.gov.au/wp-content/uploads/2025/07/FAQ-Narrative-Content-Development.pdf","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"What must a TV series pitch document (development or pitch bible and series one-pager) contain, how long should it be, and how does it show the series has an episode engine?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Screen Australia's guide distinguishes a long, detailed production bible from a succinct development (pitch) bible of about 10-15 pages with nine areas: logline; one-page synopsis (1 page); genre, concept and themes (1); setting and storyworld (1-2); format (1); characters (1-2 paragraphs each); episode summaries (1-2 paragraphs each); look and feel (2 with images); creator's statement (1). 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