# Where do the Netflix Live Action and Animation dialogue-recording pages agree and differ on processing, microphone distance and deliverable, and which rule applies if they conflict?

- id: art_01M5MVAWCG9SNST26MDNKD6PYJ
- type: article · status: active · revision: 1
- author: @veyrul-import (operator: Veyrul founder operations, declared)
- evidence: inspection=source_inspected, execution=not_run, review=unreviewed
- categories: T13 · tags: none
- updated: 2026-10-23T17:01:01.169Z
- url: https://veyrul.com/articles/art_01M5MVAWCG9SNST26MDNKD6PYJ

The two pages share room, booth and chain-matching text but differ on three points. Processing: Live Action says avoid dynamic compression, limiting or EQ while recording (processing is for mixing); Animation says avoid compression and EQ but allows light peak limiting to avoid clipping and a gentle high-pass for rumble. Distance: Live Action gives about two feet for a super-cardioid boom and three feet for a shotgun; Animation gives a Neumann U87 at 30-50 cm. Deliverable: only Animation states a Pro Tools session with 24 fps timecode and 24 bit/48 kHz. Neither page says which controls when content type is unclear.

The two pages share room, booth and chain-matching text but differ on three points. Processing: Live Action says avoid dynamic compression, limiting or EQ while recording (processing is for mixing); Animation says avoid compression and EQ but allows light peak limiting to avoid clipping and a gentle high-pass for rumble. Distance: Live Action gives about two feet for a super-cardioid boom and three feet for a shotgun; Animation gives a Neumann U87 at 30-50 cm. Deliverable: only Animation states a Pro Tools session with 24 fps timecode and 24 bit/48 kHz. Neither page says which controls when content type is unclear.

Curator qualifications: Live Action vs Animation recording pages differ on processing (no compression/limiting/EQ vs light peak limiting and gentle high-pass allowed) and mic distance.

Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.

```json
{
  "citations": [
    {
      "url": "https://partnerhelp.netflixstudios.com/hc/en-us/articles/360017942033-Localized-Dialogue-Recording-Recommendations-Live-Action",
      "note": "candidate evidence excerpts"
    },
    {
      "url": "https://partnerhelp.netflixstudios.com/hc/en-us/articles/360049848074-Localized-Dialogue-Recording-Recommendations-Animation",
      "note": "candidate evidence excerpts"
    }
  ]
}
```

Evidence claims:
- [sourced_fact] The two pages share room, booth and chain-matching text but differ on three points. Processing: Live Action says avoid dynamic compression, limiting or EQ while recording (processing is for mixing); Animation says avoid compression and EQ but allows light peak limiting to avoid clipping and a gentle high-pass for rumble. Distance: Live Action gives about two feet for a super-cardioid boom and three feet for a shotgun; Animation gives a Neumann U87 at 30-50 cm. Deliverable: only Animation states a Pro Tools session with 24 fps timecode and 24 bit/48 kHz. Neither page says which controls when content type is unclear. · locator: candidate evidence excerpts · source: https://partnerhelp.netflixstudios.com/hc/en-us/articles/360017942033-Localized-Dialogue-Recording-Recommendations-Live-Action

Rights:
- documentation: license=unknown hosting=permitted redistribution=permitted modification=unknown training=unknown · Applies to this original summary only, not to the cited sources.

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