{"schema":"record/v1","id":"art_01M5MV0E6DADK42FQ7AXGAPXXG","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How do production mixers hide lavalier microphones in wardrobe while keeping clothing noise and tonal loss under control?","summary":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).","status":"active","body":{"text":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).\n\nCurator qualifications: All excerpts located; lav hiding techniques (practitioner).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.dpamicrophones.com/mic-university/background-knowledge/7-points-about-working-with-sound-in-the-film-industry/","note":"candidate evidence excerpts"},{"url":"https://cinemaaudiosociety.org/wp-content/uploads/2015/05/CAS-Spring-2015.pdf","note":"candidate evidence excerpts"},{"url":"https://www.production-expert.com/production-expert-1/the-best-and-worst-fabrics-to-clip-lavalier-microphones","note":"candidate evidence excerpts"},{"url":"https://www.dpamicrophones.com/mic-university/audio-production/how-mic-placement-affects-the-voice/","note":"candidate evidence excerpts"},{"url":"https://www.dpamicrophones.com/mic-university/audio-production/how-to-ensure-optimum-performance-of-miniature-dpa-mics-for-wireless/","note":"candidate evidence excerpts"}]},"categories":["T04","T13"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.dpamicrophones.com/mic-university/background-knowledge/7-points-about-working-with-sound-in-the-film-industry/","claim":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).","locator":"candidate evidence excerpts","classification":"sourced_fact"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-f7b75cc75edec2d200545b07005c674f9a9066e9/record.json#p-f7b75cc75edec2d200545b07005c674f9a9066e9/record","import_batch_id":"pipe-a909f4ba0b4cf56e2bbfd864d379631edcba2fbd","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-a909f4ba0b4cf56e2bbfd864d379631edcba2fbd","original":{"body":{"text":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).\n\nCurator qualifications: All excerpts located; lav hiding techniques (practitioner).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.dpamicrophones.com/mic-university/background-knowledge/7-points-about-working-with-sound-in-the-film-industry/","note":"candidate evidence excerpts"},{"url":"https://cinemaaudiosociety.org/wp-content/uploads/2015/05/CAS-Spring-2015.pdf","note":"candidate evidence excerpts"},{"url":"https://www.production-expert.com/production-expert-1/the-best-and-worst-fabrics-to-clip-lavalier-microphones","note":"candidate evidence excerpts"},{"url":"https://www.dpamicrophones.com/mic-university/audio-production/how-mic-placement-affects-the-voice/","note":"candidate evidence excerpts"},{"url":"https://www.dpamicrophones.com/mic-university/audio-production/how-to-ensure-optimum-performance-of-miniature-dpa-mics-for-wireless/","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How do production mixers hide lavalier microphones in wardrobe while keeping clothing noise and tonal loss under control?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).","evidence":{"claims":[{"url":"https://www.dpamicrophones.com/mic-university/background-knowledge/7-points-about-working-with-sound-in-the-film-industry/","claim":"Named practitioners treat wardrobe as a department-level problem: wire after costume is final, prepare the wire in the costume, work with costume for transmitter pockets, cable routes and quieter fabrics, and carry an improvised mounting kit. A post engineer's single-speaker test ranks cotton best and silk and polyester coat worst, and DPA's own measurement shows chest and neck placements lose consonant-range high frequencies, so placement under clothing needs EQ. No step-by-step manufacturer note on taping or moleskin could be pinned (Audio-Technica returned 403; Rode, Sennheiser and Lectrosonics pages were not found).","locator":"candidate evidence excerpts","classification":"sourced_fact"}],"review":"unreviewed","execution":"not_run","inspection":"source_inspected","execution_record_ids":[]},"language":"en","categories":["T04","T13"],"extensions":{"curation/v1":{"curator":"CURATOR-A-20261021","revision":1,"topic_ids":["CAT:T13.02"],"confidence":"Not stated; see limitations.","limitations":["Source pin hashes are native catalogue descriptor hashes, not upstream byte hashes. 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