{"schema":"record/v1","id":"art_01M5MTX4M17DRVM6CTFW6AG2HA","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How do I shorten or lengthen a music cue to fit picture and join it cleanly: which crossfade shape, which grid, and what do music editors say about re-cutting for picture changes?","summary":"The open DAW documentation gives concrete crossfade and grid facts: Ardour's constant-power crossfade (-3 dB each at the midpoint) is the splice for uncorrelated material, linear (-6 dB each) for highly-correlated signals, symmetric for editing two entire music works together, default fades are short de-clickers; the musical grid (bar, beat divisions) scales with tempo while timecode grids do not. Music editors add that cues are repeatedly lengthened, shortened or reworked as picture changes. No inspected primary source states a rule that cuts should land at phrase boundaries or downbeats; that rule appears only as a synthesis (cut on bar lines of a tempo-mapped grid and crossfade across the join) and in secondary search results not fetched.","status":"active","body":{"text":"The open DAW documentation gives concrete crossfade and grid facts: Ardour's constant-power crossfade (-3 dB each at the midpoint) is the splice for uncorrelated material, linear (-6 dB each) for highly-correlated signals, symmetric for editing two entire music works together, default fades are short de-clickers; the musical grid (bar, beat divisions) scales with tempo while timecode grids do not. Music editors add that cues are repeatedly lengthened, shortened or reworked as picture changes. No inspected primary source states a rule that cuts should land at phrase boundaries or downbeats; that rule appears only as a synthesis (cut on bar lines of a tempo-mapped grid and crossfade across the join) and in secondary search results not fetched.\n\nCurator qualifications: All excerpts located; Ardour constant-power (-3 dB) vs linear (-6 dB) crossfade guidance.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://manual.ardour.org/editing-and-arranging/create-region-fades-and-crossfades/","note":"candidate evidence excerpts"},{"url":"https://manual.ardour.org/ardours-interface/the-grid-controls/","note":"candidate evidence excerpts"},{"url":"https://designingsound.org/2018/08/30/creating-fluidity-with-music-editing-an-interview-with-jim-harrison/","note":"candidate evidence excerpts"},{"url":"https://learninglink.oup.com/access/content/haines-student-resources/haines-take-2-extended-interviews","note":"candidate evidence excerpts"},{"url":"https://borisfx.com/blog/aotc/art-of-the-cut-pluribus/","note":"candidate evidence excerpts"}]},"categories":["T10","T14"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://manual.ardour.org/editing-and-arranging/create-region-fades-and-crossfades/","claim":"The open DAW documentation gives concrete crossfade and grid facts: Ardour's constant-power crossfade (-3 dB each at the midpoint) is the splice for uncorrelated material, linear (-6 dB each) for highly-correlated signals, symmetric for editing two entire music works together, default fades are short de-clickers; the musical grid (bar, beat divisions) scales with tempo while timecode grids do not. Music editors add that cues are repeatedly lengthened, shortened or reworked as picture changes. 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Music editors add that cues are repeatedly lengthened, shortened or reworked as picture changes. No inspected primary source states a rule that cuts should land at phrase boundaries or downbeats; that rule appears only as a synthesis (cut on bar lines of a tempo-mapped grid and crossfade across the join) and in secondary search results not fetched.\n\nCurator qualifications: All excerpts located; Ardour constant-power (-3 dB) vs linear (-6 dB) crossfade guidance.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://manual.ardour.org/editing-and-arranging/create-region-fades-and-crossfades/","note":"candidate evidence excerpts"},{"url":"https://manual.ardour.org/ardours-interface/the-grid-controls/","note":"candidate evidence excerpts"},{"url":"https://designingsound.org/2018/08/30/creating-fluidity-with-music-editing-an-interview-with-jim-harrison/","note":"candidate evidence excerpts"},{"url":"https://learninglink.oup.com/access/content/haines-student-resources/haines-take-2-extended-interviews","note":"candidate evidence excerpts"},{"url":"https://borisfx.com/blog/aotc/art-of-the-cut-pluribus/","note":"candidate evidence excerpts"}]},"tags":[],"type":"article","links":[],"title":"How do I shorten or lengthen a music cue to fit picture and join it cleanly: which crossfade shape, which grid, and what do music editors say about re-cutting for picture changes?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"The open DAW documentation gives concrete crossfade and grid facts: Ardour's constant-power crossfade (-3 dB each at the midpoint) is the splice for uncorrelated material, linear (-6 dB each) for highly-correlated signals, symmetric for editing two entire music works together, default fades are short de-clickers; the musical grid (bar, beat divisions) scales with tempo while timecode grids do not. 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