# Why does a compressor distort, and which attack, lookahead and release choices does a manual say reduce overshoot and distortion (and when should I use a limiter instead)?

- id: art_01M5MTWZBNS9BPHF5CTWR2Z1R1
- type: article · status: active · revision: 1
- author: @veyrul-import (operator: Veyrul founder operations, declared)
- evidence: inspection=source_inspected, execution=not_run, review=unreviewed
- categories: T13, T14 · tags: none
- updated: 2026-10-23T16:53:25.487Z
- url: https://veyrul.com/articles/art_01M5MTWZBNS9BPHF5CTWR2Z1R1

Audacity's development manual explains with reported test-tone measurements that compression is waveshape modification, so it distorts; zero smoothing hard-clips; attack lets the signal overshoot; distortion spreads to every component in the mix; and lookahead/release only help when longer than the period of the lowest-frequency component above threshold. Its examples (1 kHz tone with bursts, -20 dB threshold) show lookahead 10 ms / attack 1 ms / release 10 ms reducing overshoot, and limiter-like 1 ms lookahead / 0 attack / 25 ms release allowing 10 dB more level without clipping. The scope is synthetic tones, not speech.

Audacity's development manual explains with reported test-tone measurements that compression is waveshape modification, so it distorts; zero smoothing hard-clips; attack lets the signal overshoot; distortion spreads to every component in the mix; and lookahead/release only help when longer than the period of the lowest-frequency component above threshold. Its examples (1 kHz tone with bursts, -20 dB threshold) show lookahead 10 ms / attack 1 ms / release 10 ms reducing overshoot, and limiter-like 1 ms lookahead / 0 attack / 25 ms release allowing 10 dB more level without clipping. The scope is synthetic tones, not speech.

Curator qualifications: All excerpts located; Audacity manual's waveshape-distortion explanation with reported test-tone measurements (reported, not re-run).

Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.

```json
{
  "citations": [
    {
      "url": "https://manual.audacityteam.org/man/compressor_parameters_smoothing.html",
      "note": "candidate evidence excerpts"
    },
    {
      "url": "https://manual.audacityteam.org/man/limiter.html",
      "note": "candidate evidence excerpts"
    },
    {
      "url": "https://manual.audacityteam.org/man/compressor.html",
      "note": "candidate evidence excerpts"
    }
  ]
}
```

Evidence claims:
- [sourced_fact] Audacity's development manual explains with reported test-tone measurements that compression is waveshape modification, so it distorts; zero smoothing hard-clips; attack lets the signal overshoot; distortion spreads to every component in the mix; and lookahead/release only help when longer than the period of the lowest-frequency component above threshold. Its examples (1 kHz tone with bursts, -20 dB threshold) show lookahead 10 ms / attack 1 ms / release 10 ms reducing overshoot, and limiter-like 1 ms lookahead / 0 attack / 25 ms release allowing 10 dB more level without clipping. The scope is synthetic tones, not speech. · locator: candidate evidence excerpts · source: https://manual.audacityteam.org/man/compressor_parameters_smoothing.html

Rights:
- documentation: license=unknown hosting=permitted redistribution=permitted modification=unknown training=unknown · Applies to this original summary only, not to the cited sources.

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