{"schema":"record/v1","id":"art_01M5MTBW6K4FRG17ASQ4D3N9J9","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What do Moretti's Hamlet networks show about protagonist centrality, clustering, weak-tie connectors and node-removal experiments, and which parts transfer to checking an ensemble outline?","summary":"Moretti builds speech-act networks of Hamlet and treats the protagonist as the node nearest all others (mean distance 1.45). Removing nodes is his experiment: without Hamlet the graph nearly splits into court and \"beyond\"; removing Horatio, though slightly less central by distance than Claudius, fragments the rest because he sits in a low-clustering region and links the Ghost/Fortinbras side to the court. Claudius sits in a dense cluster and his removal changes little. Moretti flags the limits (unweighted, undirected, hand drawn, a few plays) and hedges his Horatio reading. For ensemble outlines the transferable idea is a cut-vertex / removal test; whether it indicates a defect is a judgment, since Horatio is both structurally key and, in Moretti's words, without motivation.","status":"active","body":{"text":"Moretti builds speech-act networks of Hamlet and treats the protagonist as the node nearest all others (mean distance 1.45). Removing nodes is his experiment: without Hamlet the graph nearly splits into court and \"beyond\"; removing Horatio, though slightly less central by distance than Claudius, fragments the rest because he sits in a low-clustering region and links the Ghost/Fortinbras side to the court. Claudius sits in a dense cluster and his removal changes little. Moretti flags the limits (unweighted, undirected, hand drawn, a few plays) and hedges his Horatio reading. For ensemble outlines the transferable idea is a cut-vertex / removal test; whether it indicates a defect is a judgment, since Horatio is both structurally key and, in Moretti's words, without motivation.\n\nCurator qualifications: Curator located all evidence excerpts in the work copies (automated case-insensitive prefix match).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://litlab.stanford.edu/LiteraryLabPamphlet2.pdf","note":"Hamlet network"}]},"categories":["T01","T20"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://litlab.stanford.edu/LiteraryLabPamphlet2.pdf","claim":"Moretti builds speech-act networks of Hamlet and treats the protagonist as the node nearest all others (mean distance 1.45). Removing nodes is his experiment: without Hamlet the graph nearly splits into court and \"beyond\"; removing Horatio, though slightly less central by distance than Claudius, fragments the rest because he sits in a low-clustering region and links the Ghost/Fortinbras side to the court. Claudius sits in a dense cluster and his removal changes little. Moretti flags the limits (unweighted, undirected, hand drawn, a few plays) and hedges his Horatio reading. 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Removing nodes is his experiment: without Hamlet the graph nearly splits into court and \"beyond\"; removing Horatio, though slightly less central by distance than Claudius, fragments the rest because he sits in a low-clustering region and links the Ghost/Fortinbras side to the court. Claudius sits in a dense cluster and his removal changes little. Moretti flags the limits (unweighted, undirected, hand drawn, a few plays) and hedges his Horatio reading. For ensemble outlines the transferable idea is a cut-vertex / removal test; whether it indicates a defect is a judgment, since Horatio is both structurally key and, in Moretti's words, without motivation.\n\nCurator qualifications: Curator located all evidence excerpts in the work copies (automated case-insensitive prefix match).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://litlab.stanford.edu/LiteraryLabPamphlet2.pdf","note":"Hamlet network"}]},"tags":[],"type":"article","links":[],"title":"What do Moretti's Hamlet networks show about protagonist centrality, clustering, weak-tie connectors and node-removal experiments, and which parts transfer to checking an ensemble outline?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Moretti builds speech-act networks of Hamlet and treats the protagonist as the node nearest all others (mean distance 1.45). 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