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The Handbook vs Senses of Cinema readings of Stage Fright are kept as an interpretive disagreement.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www-archiv.fdm.uni-hamburg.de/lhn/node/64.html","note":"essay"},{"url":"https://www.sensesofcinema.com/2007/alfred-hitchcock-revisited/hitchcock-hume-stage-fright","note":"essay"},{"url":"https://www-archiv.fdm.uni-hamburg.de/lhn/node/66.html","note":"essay"},{"url":"https://link.springer.com/article/10.3758/s13421-022-01368-1","note":"essay"},{"url":"https://www.sensesofcinema.com/2007/alfred-hitchcock-revisited/hitchcock-hume-stage-fright/","note":"observed URL (dated/alias form of the cited catalogue source; canonical identity retained)"}]},"categories":["T01","T02"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www-archiv.fdm.uni-hamburg.de/lhn/node/64.html","claim":"The best-documented screen case is the lying flashback in Hitchcock's Stage Fright (1950): the Living Handbook says the director considered the fabricated flashback a failure, while a Senses of Cinema essay argues the sequence is a \"mixed memory\" with true incidents intermixed and no voice-over, so the term \"lying flashback\" misleads. 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The sources do not give an audience measurement; they show that an image-level lie with no frame is the flagged risk, and that the fairness dispute turns on whether the story marks the account as someone's version. The sources found cover no study of unearned twists specific to narration; B097-S22 covers twist and set-up research.\n\nCurator qualifications: Curator located the evidence excerpts in the work copies (automated case-insensitive prefix match). 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