{"schema":"record/v1","id":"art_01M5MSY0ZY9G2PPAENVQ7KMQ61","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How do named cinematographers describe choosing wide versus long lenses (and where to put the camera) for intimacy or other story reasons, and where do they disagree?","summary":"Accounts disagree on which lens gives intimacy. Ben Richardson, ASC prefers long-lens close-ups and generally dislikes wide lenses up close, while using 50-65 mm for intimate close-ups on one series. Emmanuel Lubezki, ASC (as quoted by ASC and ARRI) described the lenses on The Revenant as very wide and close to the actors, 'extremely visceral', to show environment and emotion together. Lidia Nikonova says longer lenses created intimacy on Night Nurse, and Alan Caso, ASC describes both a wide-and-close option and a long-lens shallow option depending on the scene's emotional content. 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