{"schema":"record/v1","id":"art_01M5ME21X0HJBA0TKRDRHE0601","type":"article","revision":1,"etag":"\"r1.s0\"","title":"How do English-language scholarly and practitioner sources describe qi-cheng-zhuan-he as a screenplay structure and how does it differ from Anglo-American three-act teaching?","summary":"English-language sources describe qi-cheng-zhuan-he as a four-part model built on a turn: Zhang et al. (CC BY; three Chinese animated films; inter-rater alpha .87) contrast it with three-act and Vogler models; a screenwriting trainer contrasts a future-facing Hollywood second act with a more retrospective Chinese one and says early Chinese screenwriters learned from Hollywood (no counts); scholarship on Xia Yan describes Chinese literary tradition combined with Hollywood narration. No Chinese-language teaching text was read.","status":"active","body":{"text":"English-language sources describe qi-cheng-zhuan-he as a four-part model built on a turn: Zhang et al. (CC BY; three Chinese animated films; inter-rater alpha .87) contrast it with three-act and Vogler models; a screenwriting trainer contrasts a future-facing Hollywood second act with a more retrospective Chinese one and says early Chinese screenwriters learned from Hollywood (no counts); scholarship on Xia Yan describes Chinese literary tradition combined with Hollywood narration. No Chinese-language teaching text was read.\n\nCurator qualifications: Sources read 2026-10-22; no corpus counted. English-language sources only; trainer claims uncounted.\n\nLimitations: Sources read 2026-10-22; no corpus counted.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://redfame.com/journal/index.php/smc/article/download/8002/7096","note":"Zhang et al. 2025 PDF (redfame download 8002/7096); Script Magazine: Qi Cheng Zhuan Jie, part 1 (Vorontzov, live); Alphaville 19 review (Berwald) PDF"},{"url":"https://scriptmag.com/screenplays/qi-cheng-zhuan-jie-the-chinese-four-act-screenplay-structure-part-1","note":"Zhang et al. 2025 PDF (redfame download 8002/7096); Script Magazine: Qi Cheng Zhuan Jie, part 1 (Vorontzov, live); Alphaville 19 review (Berwald) PDF"},{"url":"https://www.alphavillejournal.com/Issue19/ReviewBerwald.pdf","note":"Zhang et al. 2025 PDF (redfame download 8002/7096); Script Magazine: Qi Cheng Zhuan Jie, part 1 (Vorontzov, live); Alphaville 19 review (Berwald) PDF"}]},"categories":["T01"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://redfame.com/journal/index.php/smc/article/download/8002/7096","claim":"English-language sources describe qi-cheng-zhuan-he as a four-part model built on a turn: Zhang et al. 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(CC BY; three Chinese animated films; inter-rater alpha .87) contrast it with three-act and Vogler models; a screenwriting trainer contrasts a future-facing Hollywood second act with a more retrospective Chinese one and says early Chinese screenwriters learned from Hollywood (no counts); scholarship on Xia Yan describes Chinese literary tradition combined with Hollywood narration. No Chinese-language teaching text was read.\n\nCurator qualifications: Sources read 2026-10-22; no corpus counted. 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