{"schema":"record/v1","id":"art_01M5MDBNS0W5SCZXATRR4CHGYK","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What parts did a 1913-era photoplay script submission contain (synopsis, cast of characters, scenario/continuity, scene-plot), in what order and form, and what job did each part do for the editor and director?","summary":"Esenwein and Leeds call the whole manuscript the \"photoplay script\" and say it has three essential parts in this order: the Synopsis, the Cast of Characters, and the Scenario or Continuity of Scenes, plus an optional Scene-Plot on a separate sheet (omitted when a company wants \"synopsis only\"). The synopsis is the editor's first read and is finalised last; the cast list is a separate division that tags minor characters with scene numbers; the continuity starts on a fresh sheet and numbers every scene. Label: 1913 practice. The pinned Gutenberg text is the Revised Edition (title page \"Copyright 1913 / Copyright 1919\"; it mentions 1918 releases and \"February, 1919\" postage), so some passages are 1919 revisions and are not 1913 practice. Excerpts drop Gutenberg italic underscores; line numbers are those of the CRLF file as pinned.","status":"active","body":{"text":"Esenwein and Leeds call the whole manuscript the \"photoplay script\" and say it has three essential parts in this order: the Synopsis, the Cast of Characters, and the Scenario or Continuity of Scenes, plus an optional Scene-Plot on a separate sheet (omitted when a company wants \"synopsis only\"). The synopsis is the editor's first read and is finalised last; the cast list is a separate division that tags minor characters with scene numbers; the continuity starts on a fresh sheet and numbers every scene. Label: 1913 practice. The pinned Gutenberg text is the Revised Edition (title page \"Copyright 1913 / Copyright 1919\"; it mentions 1918 releases and \"February, 1919\" postage), so some passages are 1919 revisions and are not 1913 practice. Excerpts drop Gutenberg italic underscores; line numbers are those of the CRLF file as pinned.\n\nCurator qualifications: Four-part photoplay script package and order verified; the authors say companies differed, so it is a recommended form. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary.\n\nLimitations: [component_reuse_restriction] Producer work dir holds no copy of S1; curator fetched Project Gutenberg #17903 (Esenwein & Leeds, Writing the Photoplay, 1913 rev. 1919; US public domain), byte-identical to pin 7a6b66f7, and located all 55 S1 excerpts after normalising quotes/underscores/whitespace.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","note":"Writing the Photoplay (pinned Gutenberg text)"}]},"categories":["T01","T03"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","claim":"Esenwein and Leeds call the whole manuscript the \"photoplay script\" and say it has three essential parts in this order: the Synopsis, the Cast of Characters, and the Scenario or Continuity of Scenes, plus an optional Scene-Plot on a separate sheet (omitted when a company wants \"synopsis only\"). The synopsis is the editor's first read and is finalised last; the cast list is a separate division that tags minor characters with scene numbers; the continuity starts on a fresh sheet and numbers every scene. Label: 1913 practice. The pinned Gutenberg text is the Revised Edition (title page \"Copyright 1913 / Copyright 1919\"; it mentions 1918 releases and \"February, 1919\" postage), so some passages are 1919 revisions and are not 1913 practice. 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The synopsis is the editor's first read and is finalised last; the cast list is a separate division that tags minor characters with scene numbers; the continuity starts on a fresh sheet and numbers every scene. Label: 1913 practice. The pinned Gutenberg text is the Revised Edition (title page \"Copyright 1913 / Copyright 1919\"; it mentions 1918 releases and \"February, 1919\" postage), so some passages are 1919 revisions and are not 1913 practice. Excerpts drop Gutenberg italic underscores; line numbers are those of the CRLF file as pinned.\n\nCurator qualifications: Four-part photoplay script package and order verified; the authors say companies differed, so it is a recommended form. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary.\n\nLimitations: [component_reuse_restriction] Producer work dir holds no copy of S1; curator fetched Project Gutenberg #17903 (Esenwein & Leeds, Writing the Photoplay, 1913 rev. 1919; US public domain), byte-identical to pin 7a6b66f7, and located all 55 S1 excerpts after normalising quotes/underscores/whitespace.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.gutenberg.org/cache/epub/17903/pg17903.txt","note":"Writing the Photoplay (pinned Gutenberg text)"}]},"tags":[],"type":"article","links":[],"title":"What parts did a 1913-era photoplay script submission contain (synopsis, cast of characters, scenario/continuity, scene-plot), in what order and form, and what job did each part do for the editor and director?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"Esenwein and Leeds call the whole manuscript the \"photoplay script\" and say it has three essential parts in this order: the Synopsis, the Cast of Characters, and the Scenario or Continuity of Scenes, plus an optional Scene-Plot on a separate sheet (omitted when a company wants \"synopsis only\"). 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