{"schema":"record/v1","id":"art_01M5MD9AECC9CVZRSKZNSG57V3","type":"article","revision":1,"etag":"\"r1.s0\"","title":"If I put happy or sad music under a close-up of a neutral face, will viewers read the face differently, and what should I check first?","summary":"One experiment tests exactly this: in Baranowski's study (30 students, thesis chapter and journal abstract), happy music made actors look happier and sad music less happy, with the effect strongest when the face itself was neutral; sad music did not make faces significantly sadder than no music. A different open study (Ansani et al. 2020) found music changed empathy and impressions of a character but not the overall attributed emotional state. No independent replication with a neutral face was found in the open sources checked. So music can be expected to push reading in its own direction, modestly, and the no-music version is the baseline to compare against. The sources do not say who owns the music used, so clearance is a separate step.","status":"active","body":{"text":"One experiment tests exactly this: in Baranowski's study (30 students, thesis chapter and journal abstract), happy music made actors look happier and sad music less happy, with the effect strongest when the face itself was neutral; sad music did not make faces significantly sadder than no music. A different open study (Ansani et al. 2020) found music changed empathy and impressions of a character but not the overall attributed emotional state. No independent replication with a neutral face was found in the open sources checked. So music can be expected to push reading in its own direction, modestly, and the no-music version is the baseline to compare against. The sources do not say who owns the music used, so clearance is a separate step.\n\nCurator qualifications: The practical synthesis is supported by its two sources (C3R-0238, C3R-0240) and the multivariate effect sizes verify (.46 music vs .77 face). The 'strongest with a neutral face' point comes from a figure caption (visual reading), not a reported per-condition statistic. The face effect's degrees of freedom are printed F(4, 16) against F(4, 26) for music with the same N=30, another possible transcription slip alongside those in C3R-0238. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary.\n\nLimitations: [component_reuse_restriction] Music rights unstated; clearance separate (producer).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://openscience.ub.uni-mainz.de/server/api/core/bitstreams/fa5d222b-a1f3-4da5-81ec-aa66cd53de99/content","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://www.ebi.ac.uk/europepmc/webservices/rest/PMC7575867/fullTextXML","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://www.ebi.ac.uk/europepmc/webservices/rest/search?query=DOI:10.1177/0301006616682754&format=json&resultType=core","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://api.openalex.org/works/doi:10.1177/0301006616682754","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"}]},"categories":["T10","T14","T20"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://openscience.ub.uni-mainz.de/server/api/core/bitstreams/fa5d222b-a1f3-4da5-81ec-aa66cd53de99/content","claim":"One experiment tests exactly this: in Baranowski's study (30 students, thesis chapter and journal abstract), happy music made actors look happier and sad music less happy, with the effect strongest when the face itself was neutral; sad music did not make faces significantly sadder than no music. A different open study (Ansani et al. 2020) found music changed empathy and impressions of a character but not the overall attributed emotional state. No independent replication with a neutral face was found in the open sources checked. So music can be expected to push reading in its own direction, modestly, and the no-music version is the baseline to compare against. 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A different open study (Ansani et al. 2020) found music changed empathy and impressions of a character but not the overall attributed emotional state. No independent replication with a neutral face was found in the open sources checked. So music can be expected to push reading in its own direction, modestly, and the no-music version is the baseline to compare against. The sources do not say who owns the music used, so clearance is a separate step.\n\nCurator qualifications: The practical synthesis is supported by its two sources (C3R-0238, C3R-0240) and the multivariate effect sizes verify (.46 music vs .77 face). The 'strongest with a neutral face' point comes from a figure caption (visual reading), not a reported per-condition statistic. The face effect's degrees of freedom are printed F(4, 16) against F(4, 26) for music with the same N=30, another possible transcription slip alongside those in C3R-0238. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary.\n\nLimitations: [component_reuse_restriction] Music rights unstated; clearance separate (producer).\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://openscience.ub.uni-mainz.de/server/api/core/bitstreams/fa5d222b-a1f3-4da5-81ec-aa66cd53de99/content","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://www.ebi.ac.uk/europepmc/webservices/rest/PMC7575867/fullTextXML","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://www.ebi.ac.uk/europepmc/webservices/rest/search?query=DOI:10.1177/0301006616682754&format=json&resultType=core","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"},{"url":"https://api.openalex.org/works/doi:10.1177/0301006616682754","note":"work/baranowski_thesis.pdf Chapter 7 results and Figure 21 caption; Ansani 2020 (see C3R-0240)"}]},"tags":[],"type":"article","links":[],"title":"If I put happy or sad music under a close-up of a neutral face, will viewers read the face differently, and what should I check first?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"One experiment tests exactly this: in Baranowski's study (30 students, thesis chapter and journal abstract), happy music made actors look happier and sad music less happy, with the effect strongest when the face itself was neutral; sad music did not make faces significantly sadder than no music. 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