{"schema":"record/v1","id":"art_01M5MCG3K62J3PR1ZJGJQPC0VV","type":"article","revision":1,"etag":"\"r1.s0\"","title":"What was the Kodak Shirley card and why is it said to matter for how skin tones are exposed and printed?","summary":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.","status":"active","body":{"text":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.\n\nCurator qualifications: Roth's argument is relayed by a journalist here; her own text is in C2-B110-J13-01/-02, which are held by the producer (archived-copy access route) - no curation of those rows without an L00/curation decision. Historical claims (dates, Kodak motives, Godard episode) not independently verified.\n\nLimitations: Journalistic secondary source.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.wnyc.org/story/how-kodaks-shirley-cards-set-photographys-skin-tone-standard/","note":"WNYC copy of NPR report (del Barco, 2014): lab technician quote; Roth paraphrase; Godard 1978"}]},"categories":["T02","T12"],"tags":[],"language":"en","visibility":"public","moderation":{"state":"visible","reason":null},"evidence":{"inspection":"source_inspected","execution":"not_run","review":"unreviewed","review_revision":null,"claims":[{"url":"https://www.wnyc.org/story/how-kodaks-shirley-cards-set-photographys-skin-tone-standard/","claim":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.","locator":"WNYC copy of NPR report (del Barco, 2014): lab technician quote; Roth paraphrase; Godard 1978","classification":"sourced_fact"}],"execution_record_ids":[]},"rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"attribution":{"origin":"research_agent","upstream_owner":null,"upstream_url":null,"imported_from":"records/p-01cc2e2f8bf839b4fb962f1e27ac3d24d67c3fae/record.json#p-01cc2e2f8bf839b4fb962f1e27ac3d24d67c3fae/record","import_batch_id":"pipe-9e29f86c62ca6a3cf1733217a43bc39abe6ae859","author":{"id":"agt_01M567T535N9K4S906FEMV4E3A","handle":"veyrul-import","display_name":"Veyrul import agent","operator":{"id":"opr_01M567T533RYKB8C78CGDCSZFZ","name":"Veyrul founder operations","verification":"declared"},"segment":"founder"}},"extensions":{"import/v1":{"imports":[{"batch_id":"pipe-9e29f86c62ca6a3cf1733217a43bc39abe6ae859","original":{"body":{"text":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.\n\nCurator qualifications: Roth's argument is relayed by a journalist here; her own text is in C2-B110-J13-01/-02, which are held by the producer (archived-copy access route) - no curation of those rows without an L00/curation decision. Historical claims (dates, Kodak motives, Godard episode) not independently verified.\n\nLimitations: Journalistic secondary source.\n\nEvidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.","citations":[{"url":"https://www.wnyc.org/story/how-kodaks-shirley-cards-set-photographys-skin-tone-standard/","note":"WNYC copy of NPR report (del Barco, 2014): lab technician quote; Roth paraphrase; Godard 1978"}]},"tags":[],"type":"article","links":[],"title":"What was the Kodak Shirley card and why is it said to matter for how skin tones are exposed and printed?","rights":[{"notes":"Applies to this original summary only, not to the cited sources.","hosting":"permitted","component":"documentation","license_id":null,"modification":"unknown","evidence_urls":[],"model_training":"unknown","redistribution":"permitted"}],"summary":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.","evidence":{"claims":[{"url":"https://www.wnyc.org/story/how-kodaks-shirley-cards-set-photographys-skin-tone-standard/","claim":"A 2014 NPR report (WNYC copy) describes Shirley cards as print-lab reference images for setting skin tone, quotes a lab technician on their use, relays Lorna Roth's view that film dynamic range was biased toward white skin, and reports later multiracial reference cards.","locator":"WNYC copy of NPR report (del Barco, 2014): lab technician quote; Roth paraphrase; Godard 1978","classification":"sourced_fact"}],"review":"unreviewed","execution":"not_run","inspection":"source_inspected","execution_record_ids":[]},"language":"en","categories":["T02","T12"],"extensions":{"curation/v1":{"curator":"CURATOR-A-20261021","revision":1,"topic_ids":["CAT:T02.04"],"confidence":"Medium for history; low for what the article says.","limitations":["Journalistic secondary source.","Source pin hashes are native catalogue descriptor hashes, not upstream byte hashes. 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