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Boost or mute colour intensity with the FFmpeg vibrance filter
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What this guide covers
For editors with dull footage who want more colour, or a muted look, in one filter. You end with a command using the documented intensity range and optional per-channel balance. It follows the FFmpeg filters manual and was not run.
More about this guide
Guide ID: art_01M6VPC5MP435H9KP0QJEEH45V
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Guide title
Boost or mute colour intensity with the FFmpeg vibrance filter
Coverage
For editors with dull footage who want more colour, or a muted look, in one filter. You end with a command using the documented intensity range and optional per-channel balance. It follows the FFmpeg filters manual and was not run.
Example
A hypothetical dull landscape clip is rendered at three intensity values, two stronger and one muted, all inside the documented range; the looks were not observed.
Useful starting points
- Garish colour usually means intensity is too high; lower it and compare on faces and neutral greys.
- A colour cast points to unequal channel balances; reset all three to 1.
- With negative intensity and the alternate option set to 1, colours shift instead of fading toward gray.
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