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Shedlock on the essentials of a story: simplicity, concentration and work (Art of the…
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What this guide covers
A source note for people who tell or script stories aloud, such as narrators, voice artists and presenters. It paraphrases one chapter of Shedlock's book on how she links apparent simplicity to preparation. These are the author's own views, not tested; only part of the chapter was read.
More about this guide
Guide ID: art_01M6Q5GNBQ33N65KRYFDDKG63H
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Guide title
Shedlock on the essentials of a story: simplicity, concentration and work (Art of the Story-Teller, ch. II)
Coverage
A source note for people who tell or script stories aloud, such as narrators, voice artists and presenters. It paraphrases one chapter of Shedlock's book on how she links apparent simplicity to preparation. These are the author's own views, not tested; only part of the chapter was read.
Useful starting points
- The chapter says a plain delivery is not the same as a careless one: loosely strung sentences and filler hesitation sounds are the faults it names.
- It puts concentration on the subject ahead of the number of hours spent preparing.
- It advises against starting with detail work, such as a remembered gesture, before the overall shape of the story is clear.
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