What does a first-person crew account of a splat-on-LED job look like, and does the best one found involve a world model?

Partially verified: the curator re-read none of the cited sources; S9, S10 rest on the producer's pinned reading. The only first-person crew account found (DOSENMUTTER, Filmakademie, 2026-07-08) uses a captured photogrammetric splat, not a generated world; AI appears only as denoising. It is useful as a template of what is missing from the generative cases: stated alternatives tested (plates vs splat), a stated reason, capture counts and named roles. Berlin (Volinga case, reported by Radiance Fields) is likewise capture-based. Neither is evidence about world models. Curator qualifications: Partially verified: the curator re-read none of the cited sources; S9, S10 rest on the producer's pinned reading. Curator GET 2026-10-23 of the sources not re-read (mechanical source evidence, not semantic verification): S9: HTTP 200, bytes differ from the producer pin; S10: HTTP 200, bytes differ from the producer pin. Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.

{
  "citations": [
    {
      "url": "https://blog.siggraph.org/2026/07/gaussian-splatting-in-virtual-production-how-we-put-a-human-sized-can-into-a-childhood-bedroom.html/",
      "note": "candidate evidence excerpts"
    },
    {
      "url": "https://radiancefields.com/how-gaussian-splats-helped-bring-madrid%E2%80%99s-calle-alcal%C3%A1-onto-an-led-volume-for-netflix%E2%80%99s-berlin-draft-article",
      "note": "candidate evidence excerpts"
    }
  ]
}