What does Nga Aho Whakaari's Working with Maori in Screen Production say about partnership, script consultants, ownership of footage and its limits?
Nga Aho Whakaari's guide ((c) 2013, sponsored by the NZ Film Commission and NZ On Air) encourages non-Maori companies to involve Maori writers, producers and directors from the outset, strongly recommends Te Reo consultants (with tribal dialect variation), notes that production companies set waiver terms, and records the association's then-unmet call for joint ownership and guardianship of archived Maori footage.
Nga Aho Whakaari's guide ((c) 2013, sponsored by the NZ Film Commission and NZ On Air) encourages non-Maori companies to involve Maori writers, producers and directors from the outset, strongly recommends Te Reo consultants (with tribal dialect variation), notes that production companies set waiver terms, and records the association's then-unmet call for joint ownership and guardianship of archived Maori footage.
Curator qualifications: Archive-guardianship status is as of 2013; current TVNZ/Nga Taonga arrangements not checked (stale-evidence hold). No formal community-review step is prescribed in passages read (negative result, not exhaustive). Text only (pdftotext of curator readback); images not reviewed.
Limitations: Advocacy plus practical advice from an industry association; not law or a licensing procedure. 2012-13 text.
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://www.nzfilm.co.nz/assets/resources/Working_With_Maori_In_Screen_Production.pdf",
"note": "lines 16, 75, 88-93; lines 591, 694-700, 708-714; lines 850-858, 906-913"
}
]
}Evidence claims
- [sourced_fact] Nga Aho Whakaari's guide ((c) 2013, sponsored by the NZ Film Commission and NZ On Air) encourages non-Maori companies to involve Maori writers, producers and directors from the outset, strongly recommends Te Reo consultants (with tribal dialect variation), notes that production companies set waiver terms, and records the association's then-unmet call for joint ownership and guardianship of archived Maori footage. · locator: lines 16, 75, 88-93; lines 591, 694-700, 708-714; lines 850-858, 906-913 source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |