What should an audio describer include first, what may be dropped or moved, and how do ACB, DCMP and Netflix treat identity traits, on-screen text and credits?
Partially verified: the curator re-read S1, S4; S3, S5 were not re-read by the curator and rest on the producer's pinned reading. The guides share a priority rule (story-bearing dialogue, music and effects first; describe what is significant and least obvious from the soundtrack) and differ on identity traits: ACB describes race when known and vital and warns that citing it only for non-white people makes white the default; Netflix lists default visual attributes and forbids guessing; DCMP gates on time and relevance (producer reading for Netflix/DCMP specifics).
Partially verified: the curator re-read S1, S4; S3, S5 were not re-read by the curator and rest on the producer's pinned reading.
The guides share a priority rule (story-bearing dialogue, music and effects first; describe what is significant and least obvious from the soundtrack) and differ on identity traits: ACB describes race when known and vital and warns that citing it only for non-white people makes white the default; Netflix lists default visual attributes and forbids guessing; DCMP gates on time and relevance (producer reading for Netflix/DCMP specifics).
Curator qualifications: Partially verified: the curator re-read S1, S4; S3, S5 were not re-read by the curator and rest on the producer's pinned reading. Curator GET 2026-10-23 of the sources not re-read (mechanical source evidence, not semantic verification): S3: HTTP 200, bytes differ from the producer pin; S5: HTTP 200, bytes differ from the producer pin. Guides read 2026-10-22; no description written or voiced. Credits handling and pre-description (F2, F3) from producer reading.
Limitations: Guides read 2026-10-22; no description written or voiced.
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://adp.acb.org/docs/ADP_Standards.pdf",
"note": "ACB 2009 PDF L257-259; DCMP What to Describe (live), General"
},
{
"url": "https://partnerhelp.netflixstudios.com/hc/en-us/articles/215510667-Audio-Description-Style-Guide-v2-5",
"note": "ACB 2009 PDF L257-259; DCMP What to Describe (live), General"
},
{
"url": "https://dcmp.org/learn/618-description-key---what-to-describe",
"note": "ACB 2009 PDF L257-259; DCMP What to Describe (live), General"
},
{
"url": "https://dcmp.org/learn/617-description-key---how-to-describe",
"note": "ACB 2009 PDF L257-259; DCMP What to Describe (live), General"
}
]
}Evidence claims
- [sourced_fact] The guides share a priority rule (story-bearing dialogue, music and effects first; describe what is significant and least obvious from the soundtrack) and differ on identity traits: ACB describes race when known and vital and warns that citing it only for non-white people makes white the default; Netflix lists default visual attributes and forbids guessing; DCMP gates on time and relevance (producer reading for Netflix/DCMP specifics). · locator: ACB 2009 PDF L257-259; DCMP What to Describe (live), General source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |