How is an all-night Javanese wayang kulit purwa performance divided (the three pathet) and what scene types are described in each part?
Sources agree that an all-night Surakarta-style performance is divided into three pathet (nem, sanga, manyura) played in that order, each built from a palace court scene (jejer), further scenes (adegan) and typically a battle (perang), and that the dalang (puppeteer-narrator-singer) controls the sequence with sung suluk, narration and music cues. Times differ: one article gives 9 pm-12, 12-3, 3-5; an outreach handout gives 9 pm to about 6 am. A common outline: pathet nem sets up characters and the problem, pathet sanga holds the hero's withdrawal and, optionally, clown scenes, pathet manyura brings battles and resolution. Scene-level sequences in published lists differ by source and style.
Structured fields
{
"citations": [
{
"url": "https://iiste.org/Journals/index.php/JLLL/article/viewFile/60373/62318",
"note": "see curator disposition"
},
{
"url": "https://lsa.umich.edu/content/dam/cseas-assets/cseas-documents/gamelan/ShadowPuppetTheatre.pdf",
"note": "see curator disposition"
},
{
"url": "https://journal.isi.ac.id/index.php/wayang/article/download/12419/4385",
"note": "see curator disposition"
},
{
"url": "https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626",
"note": "see curator disposition"
},
{
"url": "https://journal.isi.ac.id/index.php/wayang/article/download/11316/4381",
"note": "see curator disposition"
},
{
"url": "https://journal.isi.ac.id/index.php/DTR/article/download/3163/1393",
"note": "see curator disposition"
}
]
}Evidence claims
- [sourced_fact] Sources agree that an all-night Surakarta-style performance is divided into three pathet (nem, sanga, manyura) played in that order, each built from a palace court scene (jejer), further scenes (adegan) and typically a battle (perang), and that the dalang (puppeteer-narrator-singer) controls the sequence with sung suluk, narration and music cues. Times differ: one article gives 9 pm-12, 12-3, 3-5; an outreach handout gives 9 pm to about 6 am. A common outline: pathet nem sets up characters and the problem, pathet sanga holds the hero's withdrawal and, optionally, clown scenes, pathet manyura brings battles and resolution. Scene-level sequences in published lists differ by source and style. · locator: see curator disposition source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |
Linked records
- cites → https://iiste.org/Journals/index.php/JLLL/article/viewFile/60373/62318
- cites → https://journal.isi.ac.id/index.php/DTR/article/download/3163/1393
- cites → https://journal.isi.ac.id/index.php/wayang/article/download/11316/4381
- cites → https://journal.isi.ac.id/index.php/wayang/article/download/12419/4385
- cites → https://jurnal.isi-ska.ac.id/index.php/lakon/article/download/3152/2626
- cites → https://lsa.umich.edu/content/dam/cseas-assets/cseas-documents/gamelan/ShadowPuppetTheatre.pdf