According to Sargent (1916), how can a crime or vice beat be written so that it is more likely to pass: consequence, suggestion and cut-away, brevity of vice settings, leader wording and repentance, and what do his cross-referenced passages (Ch. XXXIX para 6, Ch. LIV para 11) add?
1916 practice, Sargent's own technique advice. In Chapter LXVII he gives four treatments: make the crime serve a lesson (the killer's conscience), suggest rather than show (show the quarrel, cut away, come back to the aftermath), keep vice settings brief, and use a repentant figure to point a moral; he adds that a claimed moral is not enough. Two passages outside the chapter, reached through his own reciprocal cross-references and a keyword search, extend the cut-back technique: Ch. XXXIX para 6 (cut back from a street fight to related action) and Ch. LIV para 11 (cut-back and careful leaders; "Jared moves"). His stated reason is that suggestion draws less objection than the physical act; he gives no test.
Structured fields
{
"citations": [
{
"url": "https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt",
"note": "sar.flat (a3cff7eb) ch. LXVII offsets per candidate"
}
]
}Evidence claims
- [sourced_fact] 1916 practice, Sargent's own technique advice. In Chapter LXVII he gives four treatments: make the crime serve a lesson (the killer's conscience), suggest rather than show (show the quarrel, cut away, come back to the aftermath), keep vice settings brief, and use a repentant figure to point a moral; he adds that a claimed moral is not enough. Two passages outside the chapter, reached through his own reciprocal cross-references and a keyword search, extend the cut-back technique: Ch. XXXIX para 6 (cut back from a street fight to related action) and Ch. LIV para 11 (cut-back and careful leaders; "Jared moves"). His stated reason is that suggestion draws less objection than the physical act; he gives no test. · locator: sar.flat (a3cff7eb) ch. LXVII offsets per candidate source
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