In a 1916 US photoplay script, what counted as one scene, what did a numbered scene line look like, and what is the beginner mistake to avoid?
Sargent (Technique of the Photoplay, 3rd ed., 1916) defines a photoplay scene as all the action at one time and one place without stoppage of the camera, and tells beginners that a statement of fact is not a scene and numbered paragraphs are not scenes. His scene line puts the number in the left margin, then the set, then dash-separated action. These are his claims; the John/Maud scenes in the chapter are his worked examples.
Sargent (Technique of the Photoplay, 3rd ed., 1916) defines a photoplay scene as all the action at one time and one place without stoppage of the camera, and tells beginners that a statement of fact is not a scene and numbered paragraphs are not scenes. His scene line puts the number in the left margin, then the set, then dash-separated action. These are his claims; the John/Maud scenes in the chapter are his worked examples.
Curator qualifications: Scene definition and scene-line layout verified; John/Maud are his examples.
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
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"citations": [
{
"url": "https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt",
"note": "sar.flat (a3cff7eb) offsets per candidate; sar.flat spot checks"
}
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}Evidence claims
- [sourced_fact] Sargent (Technique of the Photoplay, 3rd ed., 1916) defines a photoplay scene as all the action at one time and one place without stoppage of the camera, and tells beginners that a statement of fact is not a scene and numbered paragraphs are not scenes. His scene line puts the number in the left margin, then the set, then dash-separated action. These are his claims; the John/Maud scenes in the chapter are his worked examples. · locator: sar.flat (a3cff7eb) offsets per candidate; sar.flat spot checks source
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