Which script choices does Sargent (1916, Ch. III-V) say make a story cheaper or harder to produce, and how might that map, as a labelled proposal, to budget-aware writing or previs today?
Sargent's Ch. III-V cost levers, in his words: locations usually cost less than building sets; a place with a specific look is cheaper to travel to than to fake, for large productions; directors avoid crowded city streets; real interiors need a costly lighting setup; and the director's taste for exteriors, interiors or trick effects decides whether a script is taken. Grouping by set or location regardless of script order is his description of shooting. The mapping to today's previs or budget tagging is a proposal that has not been tested.
Sargent's Ch. III-V cost levers, in his words: locations usually cost less than building sets; a place with a specific look is cheaper to travel to than to fake, for large productions; directors avoid crowded city streets; real interiors need a costly lighting setup; and the director's taste for exteriors, interiors or trick effects decides whether a script is taken. Grouping by set or location regardless of script order is his description of shooting. The mapping to today's previs or budget tagging is a proposal that has not been tested.
Curator qualifications: Cost levers trace to verified statements; mapping to previs/budget tagging is the worker proposal (untested), labelled.
Evidence status: labelled proposal derived from the cited sources; untested; correlated desk review (Claude); not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt",
"note": "sar.flat (a3cff7eb) offsets per candidate; sar.txt lines 3544-3730"
}
]
}Evidence claims
- [proposal] Sargent's Ch. III-V cost levers, in his words: locations usually cost less than building sets; a place with a specific look is cheaper to travel to than to fake, for large productions; directors avoid crowded city streets; real interiors need a costly lighting setup; and the director's taste for exteriors, interiors or trick effects decides whether a script is taken. Grouping by set or location regardless of script order is his description of shooting. The mapping to today's previs or budget tagging is a proposal that has not been tested. · locator: sar.flat (a3cff7eb) offsets per candidate; sar.txt lines 3544-3730 source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |