Which named failure modes of over- and under-emphasis does Sargent give in Chapter XLVII, and what is his 'implied promise' rule for avoiding them?
1916 practice: Sargent's core rule is that to emphasise an action is to give an implied promise that it will yield a result in proportion to its prominence; if the promise is broken there will be resentment (paras 5-7). His named failures: the key act scarcely noticed (para 3); the prominent fist fight that leads nowhere, and the author who is then judged weak in other respects (para 5); the motiveless action, like firing at nothing (para 7); the 'April fool' incident that loses the spectator's faith (para 7); coaxing the spectator to dislike a villain (para 4); acting too quickly (para 8); a lengthy leader (para 3); and, at the end, false values leaving the play 'a veritable cripple' (para 14).
Structured fields
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"citations": [
{
"url": "https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt",
"note": "sar.flat (a3cff7eb) ch. XLVII offsets per candidate"
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}Evidence claims
- [sourced_fact] 1916 practice: Sargent's core rule is that to emphasise an action is to give an implied promise that it will yield a result in proportion to its prominence; if the promise is broken there will be resentment (paras 5-7). His named failures: the key act scarcely noticed (para 3); the prominent fist fight that leads nowhere, and the author who is then judged weak in other respects (para 5); the motiveless action, like firing at nothing (para 7); the 'April fool' incident that loses the spectator's faith (para 7); coaxing the spectator to dislike a villain (para 4); acting too quickly (para 8); a lengthy leader (para 3); and, at the end, false values leaving the play 'a veritable cripple' (para 14). · locator: sar.flat (a3cff7eb) ch. XLVII offsets per candidate source
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