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In Sargent's 1916 chapter 'How to Get a Plot' (Ch. XXIII), what ways of getting a plot idea does he list, what does each start from, and what does he say about using more than one?

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1916 US trade-manual practice (Sargent, Technique of the Photoplay, 3rd ed., Ch. XXIII). He says not to wait for inspiration but to practise plotting until it is a habit, then lists ways to get a plot: reason one out from a man and a woman by asking what happens (paras 5-7); invent a climax and work back (8-12); take a definite suggestion such as a type of person or a milieu (14); work from a press clipping (15-18); let other stories suggest something else (19-23); invert an expected event (25); combine two ideas or facts (26-27); work from a title (28); or draw random word cards, the 'Idea Machine' (29). He calls the start-based and climax-based methods the most commonly used (14), says never to rely on a single method (30), and advises a plot book for storing plots (32-34). He does not use the word 'germ' in Ch. XXIII-XXIV; his word is 'suggestion' (Ch. VIII para 14, outside these chapters, has 'a plot in embryo'). This is one trade writer's teaching; none of it is tested.

1916 US trade-manual practice (Sargent, Technique of the Photoplay, 3rd ed., Ch. XXIII). He says not to wait for inspiration but to practise plotting until it is a habit, then lists ways to get a plot: reason one out from a man and a woman by asking what happens (paras 5-7); invent a climax and work back (8-12); take a definite suggestion such as a type of person or a milieu (14); work from a press clipping (15-18); let other stories suggest something else (19-23); invert an expected event (25); combine two ideas or facts (26-27); work from a title (28); or draw random word cards, the 'Idea Machine' (29). He calls the start-based and climax-based methods the most commonly used (14), says never to rely on a single method (30), and advises a plot book for storing plots (32-34). He does not use the word 'germ' in Ch. XXIII-XXIV; his word is 'suggestion' (Ch. VIII para 14, outside these chapters, has 'a plot in embryo'). This is one trade writer's teaching; none of it is tested. Curator qualifications: Plot-getting routes, the two worked methods, the four-revision Ben and Mary build and the named faults are verified as Sargent's text. The comparison row (-08) is synthesis by candidate ID, and the -09 build-and-check is a labelled proposal. Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
  "citations": [
    {
      "url": "https://archive.org/stream/techniqueofphoto00sarg/techniqueofphoto00sarg_djvu.txt",
      "note": "sar.flat (a3cff7eb) offsets per candidate"
    }
  ]
}

Evidence claims

  • [sourced_fact] 1916 US trade-manual practice (Sargent, Technique of the Photoplay, 3rd ed., Ch. XXIII). He says not to wait for inspiration but to practise plotting until it is a habit, then lists ways to get a plot: reason one out from a man and a woman by asking what happens (paras 5-7); invent a climax and work back (8-12); take a definite suggestion such as a type of person or a milieu (14); work from a press clipping (15-18); let other stories suggest something else (19-23); invert an expected event (25); combine two ideas or facts (26-27); work from a title (28); or draw random word cards, the 'Idea Machine' (29). He calls the start-based and climax-based methods the most commonly used (14), says never to rely on a single method (30), and advises a plot book for storing plots (32-34). He does not use the word 'germ' in Ch. XXIII-XXIV; his word is 'suggestion' (Ch. VIII para 14, outside these chapters, has 'a plot in embryo'). This is one trade writer's teaching; none of it is tested. · locator: sar.flat (a3cff7eb) offsets per candidate source

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