Where do the specimen's main turning points fall by reel under a stated reel model, how sensitive is that to where the reels really broke, and what does the chapter say about acts or climaxes?
Chapter XX names no acts, turning points or climaxes (no hit for 'climax', 'turning point' or 'crisis' in lines 10169-11870) and marks no reels, so the 18 beats here are this worker's selection from the synopsis and the cut-in leaders, placed under the equal-split model (reels end at scenes [31, 62, 94, 125]). The declaration of love falls at 67.3 percent, the quarrel at 72.4-75.6, the start of the fire at 76.3, the leap at 86.5, the lawyer's reveal at 89.1 and the embrace at 98.7-100.0. The reel 4/5 boundary (after scene 125) falls inside the 17-scene fire (119-135). The one scripted hold-over (footnote 58, scene 135) is in reel 5 under this model, consistent with the authors' rule that no special climax is needed at each reel end, but not testable. Shifting every reel boundary by 5 scenes moves 5 of the 18 beats into another reel. Scenes 71-98 (28 scenes, 18 percent) never name Blinker: the middle of the script is the Bill sub-plot. (Counts and selection are mine; 1919 practice.)
Structured fields
{
"citations": [
{
"url": "https://www.gutenberg.org/ebooks/17903",
"note": "candidate evidence excerpts"
}
]
}Evidence claims
- [inference] Chapter XX names no acts, turning points or climaxes (no hit for 'climax', 'turning point' or 'crisis' in lines 10169-11870) and marks no reels, so the 18 beats here are this worker's selection from the synopsis and the cut-in leaders, placed under the equal-split model (reels end at scenes [31, 62, 94, 125]). The declaration of love falls at 67.3 percent, the quarrel at 72.4-75.6, the start of the fire at 76.3, the leap at 86.5, the lawyer's reveal at 89.1 and the embrace at 98.7-100.0. The reel 4/5 boundary (after scene 125) falls inside the 17-scene fire (119-135). The one scripted hold-over (footnote 58, scene 135) is in reel 5 under this model, consistent with the authors' rule that no special climax is needed at each reel end, but not testable. Shifting every reel boundary by 5 scenes moves 5 of the 18 beats into another reel. Scenes 71-98 (28 scenes, 18 percent) never name Blinker: the middle of the script is the Bill sub-plot. (Counts and selection are mine; 1919 practice.) · locator: candidate evidence excerpts source
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| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |