[Proposal] Using Lubbock's 1921 chapters IX-XII as a base, what steps can an agent follow to render a character's inner life in action and scene, and what must change for a screen adaptation?
LABEL: this is a proposal by this worker built on 1921 criticism, not Lubbock's checklist and not a tested method. Nine steps: test whether the subject lies in the mind; fix one seeing eye; list the interior facts and when the reader should hold each; choose surface carriers (look, pause, movement, the image that occupies the mind); never state the fact; place an early glimpse in an unrelated moment; let talk be allusive; pace disclosure; keep to economy. Each step has a Lubbock anchor except the ledger and the recoverability check, which are mine. SCREEN NOTE (proposal): Lubbock's chapters never mention film (0 range hits for film, cinema, screen, photoplay; the one whole-text hit for 'screen' is a verb at L897), so a screen version is an extension: the surface carriers become performance, framing, editing and sound; voice-over is the 'report' position Lubbock ranks below showing; a whole-film subjective camera is not equivalent to dramatizing a mind (see C3-B002-S2-03, C3-B171-S36...
Structured fields
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{
"url": "https://www.gutenberg.org/cache/epub/18961/pg18961.txt",
"note": "candidate evidence excerpts"
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}Evidence claims
- [proposal] LABEL: this is a proposal by this worker built on 1921 criticism, not Lubbock's checklist and not a tested method. Nine steps: test whether the subject lies in the mind; fix one seeing eye; list the interior facts and when the reader should hold each; choose surface carriers (look, pause, movement, the image that occupies the mind); never state the fact; place an early glimpse in an unrelated moment; let talk be allusive; pace disclosure; keep to economy. Each step has a Lubbock anchor except the ledger and the recoverability check, which are mine. SCREEN NOTE (proposal): Lubbock's chapters never mention film (0 range hits for film, cinema, screen, photoplay; the one whole-text hit for 'screen' is a verb at L897), so a screen version is an extension: the surface carriers become performance, framing, editing and sound; voice-over is the 'report' position Lubbock ranks below showing; a whole-film subjective camera is not equivalent to dramatizing a mind (see C3-B002-S2-03, C3-B171-S36-05 by ID). · locator: candidate evidence excerpts source
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