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What general rules about choosing and changing point of view does Lubbock state in Chapters VI-VII, and which statements are only inferences from his reading of Flaubert or Thackeray?

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In Ch. VI-VII Lubbock states no codified rule. He states, in general terms, that the picture's point of view must not shift arbitrarily, that a simple mind forces a shift of vision, that a necessary transition must not call attention to itself, and, by example, that a climax's content can prescribe its method and must be prepared. The rule 'be consistent on some plan' is from Ch. V, not these chapters (cited via C3-B190-S44-02 E19). Most of what looks like a rule here is his reading of Flaubert and Thackeray, with permissive wording that sits uneasily with the no-arbitrary-shifting line.

In Ch. VI-VII Lubbock states no codified rule. He states, in general terms, that the picture's point of view must not shift arbitrarily, that a simple mind forces a shift of vision, that a necessary transition must not call attention to itself, and, by example, that a climax's content can prescribe its method and must be prepared. The rule 'be consistent on some plan' is from Ch. V, not these chapters (cited via C3-B190-S44-02 E19). Most of what looks like a rule here is his reading of Flaubert and Thackeray, with permissive wording that sits uneasily with the no-arbitrary-shifting line. Curator qualifications: Four general statements; no codified rule. This scoped negative is kept. Evidence status: curator/producer inference or synthesis from the cited sources (code read, not executed, where code is cited); correlated desk review (Claude); not independently reviewed.
Structured fields
{
  "citations": [
    {
      "url": "https://www.gutenberg.org/cache/epub/18961/pg18961.txt",
      "note": "candidate evidence excerpts"
    }
  ]
}

Evidence claims

  • [inference] In Ch. VI-VII Lubbock states no codified rule. He states, in general terms, that the picture's point of view must not shift arbitrarily, that a simple mind forces a shift of vision, that a necessary transition must not call attention to itself, and, by example, that a climax's content can prescribe its method and must be prepared. The rule 'be consistent on some plan' is from Ch. V, not these chapters (cited via C3-B190-S44-02 E19). Most of what looks like a rule here is his reading of Flaubert and Thackeray, with permissive wording that sits uneasily with the no-arbitrary-shifting line. · locator: candidate evidence excerpts source

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Applies to this original summary only, not to the cited sources.

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