How should an agent review a draft against a list of objections and decide which are real faults, using the XXV method, with the classical theory (in translation) kept apart from my proposal?
A ten-step review workflow assembled from XXV: tag each objection with the object imitated and the fault class, apply the type-specific answers the text gives (end of art, commonly said, dialectical test, necessity), run the context test, read apparent contradictions from the poet's own words and the critic's premise, and return a verdict per objection with quoted text. Each step is labelled classical theory (in translation) or proposal. The text gives no scores or thresholds; the pairings for "morally hurtful" and "contrary to artistic correctness" are inferred; the workflow is untested and an L10 experiment is sketched, not run.
A ten-step review workflow assembled from XXV: tag each objection with the object imitated and the fault class, apply the type-specific answers the text gives (end of art, commonly said, dialectical test, necessity), run the context test, read apparent contradictions from the poet's own words and the critic's premise, and return a verdict per objection with quoted text. Each step is labelled classical theory (in translation) or proposal. The text gives no scores or thresholds; the pairings for "morally hurtful" and "contrary to artistic correctness" are inferred; the workflow is untested and an L10 experiment is sketched, not run.
Curator qualifications: Ten-step objection triage labelled classical vs proposal; LLM use hypothesis; L10 not run.
Evidence status: labelled proposal derived from the cited sources; untested; correlated desk review (Claude); not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://www.gutenberg.org/cache/epub/1974/pg1974.txt",
"note": "candidate evidence excerpts"
}
]
}Evidence claims
- [proposal] A ten-step review workflow assembled from XXV: tag each objection with the object imitated and the fault class, apply the type-specific answers the text gives (end of art, commonly said, dialectical test, necessity), run the context test, read apparent contradictions from the poet's own words and the critic's premise, and return a verdict per objection with quoted text. Each step is labelled classical theory (in translation) or proposal. The text gives no scores or thresholds; the pairings for "morally hurtful" and "contrary to artistic correctness" are inferred; the workflow is untested and an L10 experiment is sketched, not run. · locator: candidate evidence excerpts source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |