I am writing a character: should I show who they are through what they do, through description, or through what they say, according to Baker (1919)?
Baker (Chapter VII) ranks characterization methods. His own words: the best method is action; the author must never describe characters in his own voice (in text, program notes or elaborate stage directions); self-description by a character is limited because soliloquy and aside are gone and works only if natural; description of one character by another is usually more plausible but still tested by plausibility; entrances and exits characterize. His closing instruction is to know the characters thoroughly, not describe them, and let them live their emotions in action. This is 1919 stage practice for actors and an audience in a theatre.
Baker (Chapter VII) ranks characterization methods. His own words: the best method is action; the author must never describe characters in his own voice (in text, program notes or elaborate stage directions); self-description by a character is limited because soliloquy and aside are gone and works only if natural; description of one character by another is usually more plausible but still tested by plausibility; entrances and exits characterize. His closing instruction is to know the characters thoroughly, not describe them, and let them live their emotions in action. This is 1919 stage practice for actors and an audience in a theatre.
Curator qualifications: Baker ranks action first, forbids author-voice description, limits self-description to the natural; increment over S3/S26 (other chapters).
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://www.gutenberg.org/cache/epub/36580/pg36580.txt",
"note": "Ch. VII"
}
]
}Evidence claims
- [sourced_fact] Baker (Chapter VII) ranks characterization methods. His own words: the best method is action; the author must never describe characters in his own voice (in text, program notes or elaborate stage directions); self-description by a character is limited because soliloquy and aside are gone and works only if natural; description of one character by another is usually more plausible but still tested by plausibility; entrances and exits characterize. His closing instruction is to know the characters thoroughly, not describe them, and let them live their emotions in action. This is 1919 stage practice for actors and an audience in a theatre. · locator: Ch. VII source
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| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |