What do two BAFTA screenwriters say about adaptation decisions: fidelity, structure and when the source form must be reinvented?

Two screenwriters' BAFTA lectures describe adaptation as service to the new film rather than transcription. One warns against being slavish to the source, describes drafts that dropped the novel's voice-over and later drifted back towards the book's own section structure, and a 'flash-sideways' device for scenes shown from two perspectives. The other says her first draft adapting her own play failed because tone and language did not translate, so she restarted from scratch, and advises adapting only material one relates to. These are the speakers' own accounts of their process. Curator qualifications: Archived transcripts read 2026-10-22; practitioner testimony; in-copyright lectures: short quotes only. Speakers referred to by role in curator text. Limitations: Archived transcripts read 2026-10-22; practitioner testimony; in-copyright lectures: short quotes only. Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.

{
  "citations": [
    {
      "url": "https://web.archive.org/web/20241214110140id_/https://www.bafta.org/media-centre/press-releases/screenwriters-lecture-christopher-hampton-cbe",
      "note": "[producer working copy; not public] sha256 75e46202c7b318e0 (equal to pin S14) (live Wayback 503 twice, receipt e084d527); paragraphs on drafting; BAFTA screenwriters lecture transcript (Wayback 20251206093929), Q&A answers"
    },
    {
      "url": "https://web.archive.org/web/20251206093929id_/https://www.bafta.org/media-centre/press-releases/screenwriters-lecture-moira-buffini/",
      "note": "[producer working copy; not public] sha256 75e46202c7b318e0 (equal to pin S14) (live Wayback 503 twice, receipt e084d527); paragraphs on drafting; BAFTA screenwriters lecture transcript (Wayback 20251206093929), Q&A answers"
    }
  ]
}