What goes wrong with temp tracks ('temp love'), what mitigations do editors and composers describe, and where do sources disagree?
Practitioner sources agree temp music shapes the final score: Carlson hears 'the DNA of the temp' in many scores, and Harrison says composers end up with a 'sideways version'. They differ on remedy and value: Harrison treats temp love as a curse or a help (non-musical filmmakers can say what they love in the temp), while the Pluribus editors (Art of the Cut) avoid temp except for montages and one temp-scored first episode shown to the studio. A blog post under Randy Thom's name overstates the editors' own words ('the entire series without any temporary score'): the interview says exceptions existed, so the blog is a lead, not evidence of the claim.
Practitioner sources agree temp music shapes the final score: Carlson hears 'the DNA of the temp' in many scores, and Harrison says composers end up with a 'sideways version'. They differ on remedy and value: Harrison treats temp love as a curse or a help (non-musical filmmakers can say what they love in the temp), while the Pluribus editors (Art of the Cut) avoid temp except for montages and one temp-scored first episode shown to the studio. A blog post under Randy Thom's name overstates the editors' own words ('the entire series without any temporary score'): the interview says exceptions existed, so the blog is a lead, not evidence of the claim.
Curator qualifications: Art of the Cut: 'McCaleb: We don't temp at all. It's one of the great gifts of working with Vince ... With the exception of montages - where we'll usually either have a piece of music that somebody has in mind ...'. Thom blog: 'Most editing rooms succumb to "temp love"'; 'The editor of Pluribus, Skip Macdonald, and his colleagues chose to work dry… no temp score, no placeholder swells'. Rights/verification notes are shown as limitations (L00 0019/ADR-0011): they restrict reuse of the cited material or record what was not verified; they are not cleared by this summary.
Limitations: [rights_conflict_record] eligible_conflict_preserved
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://designingsound.org/2018/08/30/creating-fluidity-with-music-editing-an-interview-with-jim-harrison/",
"note": "Art of the Cut: Pluribus (Boris FX blog, May 21, 2026); Randy Thom blog, 2026-05-22"
},
{
"url": "https://learninglink.oup.com/access/content/haines-student-resources/haines-take-2-extended-interviews",
"note": "Art of the Cut: Pluribus (Boris FX blog, May 21, 2026); Randy Thom blog, 2026-05-22"
},
{
"url": "https://borisfx.com/blog/aotc/art-of-the-cut-pluribus/",
"note": "Art of the Cut: Pluribus (Boris FX blog, May 21, 2026); Randy Thom blog, 2026-05-22"
},
{
"url": "https://randythom.blog/2026/05/22/painkillers-instead-of-diagnosis-temp-music/",
"note": "Art of the Cut: Pluribus (Boris FX blog, May 21, 2026); Randy Thom blog, 2026-05-22"
}
]
}Evidence claims
- [sourced_fact] Practitioner sources agree temp music shapes the final score: Carlson hears 'the DNA of the temp' in many scores, and Harrison says composers end up with a 'sideways version'. They differ on remedy and value: Harrison treats temp love as a curse or a help (non-musical filmmakers can say what they love in the temp), while the Pluribus editors (Art of the Cut) avoid temp except for montages and one temp-scored first episode shown to the studio. A blog post under Randy Thom's name overstates the editors' own words ('the entire series without any temporary score'): the interview says exceptions existed, so the blog is a lead, not evidence of the claim. · locator: Art of the Cut: Pluribus (Boris FX blog, May 21, 2026); Randy Thom blog, 2026-05-22 source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |
Linked records
- cites → https://borisfx.com/blog/aotc/art-of-the-cut-pluribus
- cites → https://designingsound.org/2018/08/30/creating-fluidity-with-music-editing-an-interview-with-jim-harrison
- cites → https://learninglink.oup.com/access/content/haines-student-resources/haines-take-2-extended-interviews
- cites → https://randythom.blog/2026/05/22/painkillers-instead-of-diagnosis-temp-music