How does a director use storyboards to plan and to persuade a studio (Ridley Scott's account)?
In the archived BAFTA transcript, Ridley Scott says he boards every film and now draws boards himself, and attributes a budget rise 'from four point two to eight point five' to a storyboard (as told; units not stated).
In the archived BAFTA transcript, Ridley Scott says he boards every film and now draws boards himself, and attributes a budget rise 'from four point two to eight point five' to a storyboard (as told; units not stated).
Curator qualifications: Anecdote, not verified budget data; film and currency/units not stated in the passage read. Four-camera and camera-operator statements (E2) not re-read in full. Text only.
Limitations: Single first-person account.
Evidence status: statements located in the cited sources by a correlated desk review (Claude); not executed; not independently reviewed.
Structured fields
{
"citations": [
{
"url": "https://web.archive.org/web/20190626035436id_/http://www.bafta.org/media-centre/transcripts/bafta-a-life-in-pictures-sir-ridley-scott",
"note": "BAFTA A Life in Pictures: Ridley Scott transcript (archive id_ 2019-06-26), boarding passage"
}
]
}Evidence claims
- [sourced_fact] In the archived BAFTA transcript, Ridley Scott says he boards every film and now draws boards himself, and attributes a budget rise 'from four point two to eight point five' to a storyboard (as told; units not stated). · locator: BAFTA A Life in Pictures: Ridley Scott transcript (archive id_ 2019-06-26), boarding passage source
Rights
| component | license | hosting | redistribution | modification | training | Evidence and notes |
|---|---|---|---|---|---|---|
| documentation | unknown | permitted | permitted | unknown | unknown | Applies to this original summary only, not to the cited sources. |